tag:blogger.com,1999:blog-871339725243454181.post489203810602869900..comments2023-09-15T08:07:22.803-07:00Comments on angel exhaust: Audrey Beecham and melodramaandrew duncanhttp://www.blogger.com/profile/17001575570188328940noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-871339725243454181.post-6621212565915419412019-02-03T03:18:47.070-08:002019-02-03T03:18:47.070-08:00Found and ordered a copy of the Nott. There is a ...Found and ordered a copy of the Nott. There is a Wilkins niece who has Ernst Kaiser's papers - could she be a source of Wilkins poems? I've never seen any. dhjhttps://www.blogger.com/profile/08371225830565795368noreply@blogger.comtag:blogger.com,1999:blog-871339725243454181.post-33801243735716837542018-04-01T01:58:54.956-07:002018-04-01T01:58:54.956-07:00This is scholarly, deliberative, sympathetic. You&...This is scholarly, deliberative, sympathetic. You're discussing 'forgotten' British women poets of the '50s. The theme of 'glamorous suffering' and 'divine egoism' I think stands out. I guess I'm struck by the intuitiveness but also irrationalism of some women poets. Also, are they seeking to stick together or pull apart? How are we to elude the 'token woman'? Will the girls stick with the girls? Anyway, fascinating stuff on women's sensibility and the poetic in the '50s and on.Anonymoushttps://www.blogger.com/profile/13905884996565370368noreply@blogger.com